TRAINING MATERIAL IN arabic


INterviewing

INTERVIEWING PEOPLE IN POWER

مقابلة - المساءلة:
تحدي أشخاص في السلطة

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INTERVIEWING VICTIMS AND VULNERABLE GROUPS

مقابلة الضحايا والفئات الهشة

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STORY-TELLING:

CHARACTERS, WRITING, STRUCTURE, AND FOCUS


building a dramatic structure

ابن هيكلاً درامياً

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Stories need a beginning, middle and end, building tension.


FIND YOUR FOCUS

جد هدفك

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Focus guides your story, your structure, what you film. You need a verb, action, conflict - it’s not a noun or a topic.


THE ISSUES STORY:
WHEN YOU HAVE NO CHARACTERS

رواية "قضية" في قصة

 من دون شخصيات

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INVESTIGATIVE JOURNALISM


THE INVESTIGATIVE CHECKLIST
قائمة التحقّق الاستقصائية

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A checklist to help you choose, start, organize, and complete a complex investigation.

You can also DOWNLOAD A ONE PAGE CHECKLIST HERE


WRITING THE INVESTIGATIVE STORY

كتابة تحقيقات قوية

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How to write powerful stories, with emotions, all five senses, showing not telling.


WE TELL STORIES, NOT JUST SCOOPS

نحن نروي قصصاً
 لا نكتفي بالسبق الصحافي:

لهذه الأسباب، تحتاج في الصحافة الاستقصائية إلى شخصيات تخوض رحلة

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Even when you are doing an intense investigation, with lots of revelations, documents or facts, you need to tell a story about people and conflict. Don’t publish your research, tell a story. This slide show include parts of the other slideshows on this page about character, writing, interviews and structure


TELEVISION STORY-TELLING

The Art of TV Story-Telling
 فن رواية القصة التلفزيونية

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An overview course that includes summaries of some of other courses below on Characters, Focus, Structure, Sound and other topics

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THE CAMERA AS STORY-TELLER

الكاميرا: كراوية للقصة

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Teamwork between the cameraperson and journalist. Planning the mood of every shot. How to set up buildings, locations and interviews.


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GREAT SOUND MAKES GREAT STORIES

الصوت الرائع يصنع قصة رائعة

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The 8-second rule. Stop talking, let the sound come through.



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MAKING GRAPHICS PART OF YOUR STORY-TELLING

كيف تجعلُ الرسوم البيانية (الغرافيكس) جزءًا من سرد قصتك

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transitions: how to move from scene to scene

عملية الانتقال:
كيف تتحرك من مشهد إلى مشهد آخر

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writing for television

الكتابة التلفزيونية

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Writing to the pictures, not about them

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the reporter on camera

البيس تو كاميرا:
المراسل أمام الكاميرا

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Making sure the reporter’s appearance in the middle or the end of the story helps not hurts the story.


OPENING AND CLOSING SHOTS

لقطتا الافتتاح والختام:
التحية والوداع الأكثر

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The images you choose to open and close your story are important in grabbing the viewer and then leaving them thinking about your story



older slideshows:

mastering the investigative interview: (2019)

the art of investigative story-telling: (2019)

how to organize your investigation: (2019)


VIDEOS OF CLASSES:

Investigative Story-telling: (2017)
arab reporters for investigative journalism

Video of a 90-minute class given at the ARIJ conference in Jordan, 2017.